Semele
Semele 
Santa Rosalia
Bacchus Gabriele D'buying and Beatrice Feo
jellyfish Semele
Pop art is the name of an artistic movement of the second half of the twentieth secolo.La Pop Art is one of the most important artistic movements of the postwar period. He debuted in Britain in the late '50s, but grows mainly in the U.S. since the '60s, expanding its influence throughout the world occidentale.Questa new form of folk art (pop is in fact an abbreviation of ' English popular, popular) is in sharp contrast with the excessive intellectualism of Abstract Expressionism and turns his attention objects, myths and languages \u200b\u200bof the society of consumi.L 'epithet "popular" but must be understood correctly. Not as art of the people and for the people but, more specifically, as mass art, that is mass produced. And since the mass has no face, art that expresses it should be as anonymous as possible if it is to be understood and accepted by the largest possible number of individui.In a world dominated by consumption, Pop art rejects the expression of 'interiority and dell'istintività and look instead to the outside world, to complex visual stimuli that surround the modern man: the so-called "urban folklore". It is an art open to the most popular forms of communication: comic books, advertisements, paintings reproduced in the series. The fact of wanting to put on canvas or in sculpture elevating everyday objects to artistic expression can be ideally connected to the Dada movement in Switzerland, but completely stripped of that post and provocatoria.La anarchist critique of consumer society, hamburgers, cars, comics soon turned into a commodity, in which the subject is on the market (art) is completely lowered into the commercial logic. Yet the artists who have been part of this movement had a revolutionary role in their production by introducing the use of tools and resources not traditional painting, such as collage, photography, cinema, video.La shameless commodification of modern man, the obsessive pounding advertising, consumerism elected a way of life, the comic strip as a single, compound vehicle of written communication, are the phenomena from which the pop artists draw their motivation. In other words, the Pop Art draws its players from the world of everyday life - especially in American society - and bases its understandable that those people are all quite outstanding and riconoscibili.Con different shades, the artists taking pictures means of mass communication, the world of film and entertainment advertising. The Pop Art in fact use the same language of advertising and is therefore perfectly consistent with the consumer society that produced it. The artist, therefore, is no longer any room for subjective experience and what the status of a mere manipulator of images, objects and symbols have already been manufactured for industrial, commercial or economic. These objects, represented through sculpture and painting, are completely spersonalizzati.Nelle hands of a pop artist images of the road turn into images "well done" cultured art. The themes depicted are very different: consumer products, everyday objects, film personalities and television, pictures of billboards, signs, photos of giornali._________________________________________________________________________Gianni NappaFatta this premise, it follows as in the reference to pop art contemporary myths is one of the constants for the Anglo-Saxon artists, while for the Italians with the season says a Roman instinctive sense of experimentation for logos in Schifano, a search for film images to a reference wheel and historic sacred to followers last Tano Festa.Gli as Nespolo, elaborate chromaticism Mediterranean, opening the way for other artists such as playing sull'humor Donzelli and myths of the century painting artist XX.Beatrice Feo Palermo, reverses the sense of myth and inspired by characters and myths of world history to make ordinary objects that have mass, but not for reproduction from the impact of a society unaccustomed to its roots, culture and history profonda.Ecco that kings, queens, poets , the heroines, the legendary figures appear as a solution to the lack of comprehension of the contemporary art system and pose a double issue of reproducibility in the form only and not for industrial clients unpopular but careful and learned that the need for a healthy understanding for all through images and also be able to reconcile to the new experimental painters with the request of the international market that seem geared only to large-scale institutional through the reaffirmation and museali.La POPBAROCCO vitality of Italian and Mediterranean features that distinguish it on the world for the instinctive cultural memory for the colors strong and passionate and the baroque as a sense of belonging to a people that is light, science, innovation in a difficult and contradictory, SOUTH. Beatrice Feo condensation passionate in his work, values \u200b\u200band anxieties of southern Italy, but also affirms the great sacred predisposition to distribute knowledge as a form of mass understanding through art has always been a vehicle for the first impact emotional, as taught in the chiesa.Pubblicato Uncategorized
GABRIELE PURCHASE focuses on sacred themes, shady characters from the strong emotional impact, and desecrating holy, theatrical scenes and quiet, and mystical visions always poised between good and bad, good and evil, sacred and profane ... Na see his works that tell the personality of Caravaggio: His most Holy 'symbol reproduced Santa Rosalia of Palermo ...
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